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JASON WILLOME
EXHIBITION HISTORY
LINKS →
SNOWY ARTIFICE:
Following
(18)
→ ARTIST STATEMENT
artist statement
,
painting
,
soft reality
→ Uncomfortable with Fiction
interruption
,
diagesis/non-diagesis
,
painting
→ A Suspicious Milieu
interruption
,
diagesis/non-diagesis
,
painting
→ A Questionable Surface
interruption
,
diagesis/non-diagesis
,
painting
→ Visible Inclusions in an Obscure Plane
interruption
,
diagesis/non-diagesis
,
painting
→ Matching Concealed Patterns (The Seam Grows When You're Not Looking)
interruption
,
diagesis/non-diagesis
,
painting
→ Perforated
interruption
,
diagesis/non-diagesis
,
painting
→ Two-Chambered Passenger (Dead Toreador, after Manet)
interruption
,
diagesis/non-diagesis
,
painting
→ Not It. (Inconceivably Me)
interruption
,
diagesis/non-diagesis
,
painting
→ It Feels Realer
It's A Wonderful Life
,
interruption
,
diagesis/non-diagesis
→ The Edge of Us (Half of the Time We're Gone and We Don't Know Where)
installation
,
It's A Wonderful Life
,
snow machine
→ Ten•u•ous•ness (At Best Was All He Had to Say When Pressed About the Rest of It, the World that Is)
snow
,
It's A Wonderful Life
,
diagesis/non-diagesis
→ Thick Spot
snow
,
It's A Wonderful Life
,
diagesis/non-diagesis
→ Softly Actual (Once More With Feeling)
installation
,
It's A Wonderful Life
,
snow machine
→ Our Celestial Companions (Proprioceptive Resonance) Clap Your Hands and Say Yeah
proprioception
,
painting
,
art
→ How To Haunt The Fleshly Counterpart
jason pearce willome
,
art
,
painting
→ It's a Poor Sort of Memory That Only Works Backwards
painting
,
collage
,
video
→ Not-so New Kind of Gollem
jason pearce willome
,
art
,
painting
→ The Next Time We Love,
or
Whaled Whales
painting
,
collage
,
mixed media
→ Through the Door or Out the Window
art
,
painting
,
collage
→ Concerned but Powerless (Roundtable)
collage
,
painting
,
roundtable
→ We Can Count On It (Bullet Mantra No. 7)
painting
,
collage
,
bullet mantra
→ Fake Can Be Just As Good,
or
Pictorial Resonance
fake
,
simulacra
,
painting
→ Room
painting
,
collage
,
space
→ Father's Fathers' Fodder's Father
painting
,
sculpture
,
material
→ Larval Memory
painting
,
sculpture
,
material
→ Inside A Tesseract
painting
,
collage
,
tesseract
→ Tesseract Frame
Painting
,
Collage
,
Tesseract
→ either, ether, aether, either (the noise you make when you sleep)
tessera
,
tesseract
,
time travel
→ Deer Dear (Two Equitable Volumes)
deer
,
painting
,
collage
JASON WILLOME
EXHIBITION HISTORY
LINKS →
→ ARTIST STATEMENT
→ Uncomfortable with Fiction
→ A Suspicious Milieu
→ A Questionable Surface
→ Visible Inclusions in an Obscure Plane
→ Matching Concealed Patterns (The Seam Grows When You're Not Looking)
→ Perforated
→ Two-Chambered Passenger (Dead Toreador, after Manet)
→ Not It. (Inconceivably Me)
→ It Feels Realer
→ The Edge of Us (Half of the Time We're Gone and We Don't Know Where)
→ Ten•u•ous•ness (At Best Was All He Had to Say When Pressed About the Rest of It, the World that Is)
→ Thick Spot
→ Softly Actual (Once More With Feeling)
SNOWY ARTIFICE:
→ Our Celestial Companions (Proprioceptive Resonance) Clap Your Hands and Say Yeah
→ How To Haunt The Fleshly Counterpart
→ It's a Poor Sort of Memory That Only Works Backwards
→ Not-so New Kind of Gollem
→ The Next Time We Love,
or
Whaled Whales
→ Through the Door or Out the Window
→ Concerned but Powerless (Roundtable)
→ We Can Count On It (Bullet Mantra No. 7)
→ Fake Can Be Just As Good,
or
Pictorial Resonance
→ Room
→ Father's Fathers' Fodder's Father
→ Larval Memory
→ Inside A Tesseract
→ Tesseract Frame
→ either, ether, aether, either (the noise you make when you sleep)
→ Deer Dear (Two Equitable Volumes)
